FILM CLOSET
DHAKA / CAPTURE TO DELIVERY
[ 01 ][ PERFORMANCE CAPTURE / AI RECAST ]
Performance is shot. Casting happens in post.
Film Closet captures real actors, then recasts the performance onto generated characters. One shoot, any cast, any market.
[ 02 ] [ ONE PERFORMANCE / FOUR CASTINGS ]
One performance, four castings
[ 03 ]
Method
-
01
[ CAPTURE ]
[ CAPTURE ]REFERENCE FRAME
Actors perform to a locked guide track on our floor in Dhaka. Real timing, real eyelines, real blocking. Nothing is left to sampling.
-
02
[ RECAST ]
[ RECAST ]REFERENCE FRAME
The performance drives a generated character. Cast is approved after the edit, not before the shoot.
-
03
[ DELIVER ]
[ DELIVER ]REFERENCE FRAME
Picture cut to your platform spec, with timecode and the guide track as a separate stem.
[ 04 ]
Deliverables
- FORMATS
- Vertical 9:16 and 16:9, cut to platform spec
- DELIVERY
- Picture-only against your locked guide track, or finished delivery
- RE-SYNC
- Lip-sync regenerated per language from the original capture
- TURNAROUND
- Up to 20 finished minutes per week
- FILES
- ProRes or H.264, timecode, guide track as separate stem
- REVISIONS
- Two rounds included
[ 05 ]
Studio
Film Closet is a production studio in Dhaka. We shoot, direct, and finish in-house, with a standing pool of performers drawn from the Bangladeshi film industry and a floor that can put forty people on a mark on two days' notice.
The studio is led by a cinematographer. That is the difference you can see in the frame.
LED BY / CINEMATOGRAPHER
FICTION PRODUCTION / 25 YEARS
SHOOT / DIRECT / FINISH — IN-HOUSE
PERFORMER POOL / BANGLADESHI FILM INDUSTRY
FLOOR / FORTY ON A MARK / TWO DAYS' NOTICE
[ 06 ] [ RIGHTS AND CONSENT ]
Rights and consent
Performers are engaged under written release covering AI transformation, territory, and term, and are paid a use fee each time a capture enters a production. Generated characters are not derived from identifiable persons. Chain of title is clean and documented, and the paperwork travels with the delivery.
[ 07 ]